In the middle of winter when frost decorates the windows of my studio and I pull on another sweater, I’ll think back to summer days in my garden, cicadas singing, sketchbook on my lap.

Right now zinnias, dahlias, cosmos and marigolds color my garden and feed the bees, butterflies and hummingbirds.

It’s hard to believe this is the last week of my month of gratitude. August has flown by.

I think back to childhood Augusts with school looming and days of freedom dwindling. Back-to-school was both exciting and welcome but also tinged with sadness for the ending of summer.

Bright sunshine and warm breezes. Clear blue skies and crisp snow. Cold, dark, wet days. This month I’ve tried to be present for it all.

November has been a gift. A strange month, but a gift, too.

Over the years I’ve fallen in love with sketchbooks, but it took me a while. I’ve shared before about how even after I started making art I felt intimidated by them. The biggest reason behind my fear was an idea that what appeared on the pages needed to look a certain way. Prioritizing product over process is a great way to stifle your creativity in all art, but especially within the pages of your sketchbook.

I just released a new class on Skillshare. My 20th class on the platform. It’s a little mind-boggling to think I’ve created that many classes.

I first started teaching on Skillshare three and a half years ago. I was already a member and had taken some classes on the platform, but had never thought of teaching there. Then they contacted me and invited me to teach.

Another year has drawn to a close. Another decade, too. On January 1, 2009 I wrote in my journal: “2010. Wow. Seems so futuristic.” And here we are in 2020, even more futuristic-sounding.

But I don’t want to jump into 2020 without spending some time considering 2019 first.

I talk about sketchbooks quite a bit around here. They’re one of my favorite ways to create. The art I make there, the practice and play, is special. I sometimes share my pages here and on social media and I’ve shared physical sketchbooks with Dana Barbieri, but most of my pages are just for me. And I cherish that.